Beyoncé is not that girl because of her diamonds or pearls, but her Renaissance World Tour has become legendary in large part due to her sense of style.

Beyoncé’s first solo tour in seven years, which held in honor of her seventh album of the same name, feature a royal-worthy ensemble. It also doubled as a traveling fashion show, with many of the ensembles changing from site to venue and some tailored to particular towns on the tour, putting fans on the lookout for what Beyoncé and her stylists had in store next.

Beyoncé

Beyoncé’s music during this time period is about unrestrained joy, self-actualization, love freedom, movement, and identity, whether it be racial, sexual, or gender, and the expression of these adventures through disco and futuristic art.

Beyoncé posted on Instagram in 2022, “Creating this album gave me a place to dream and find escape amid a dangerous moment for the planet. My goal was to establish a secure environment free from bias. a location where overthinking and perfectionism are not allowed. a location where one can yell, let off steam, and experience liberation.

This concept also translated sartorially, as visitors dressed in their own “Renaissance couture” to complement the tour’s theme and foster a sense of community.

Beyoncé and her crew discussed a sci-fi disco, or a sizable party in a different galaxy or space, when creating the tour clothing, according to fashion designer Iris van Herpen, who worked with Beyoncé to create one look for the tour. Because it allows for the creative freedom to traverse time and space, I adore designing with science fiction notions. For me, she takes on the persona of Queen B Beyond during her Renaissance tour, a timeless monarch who travels in a glittering constellation.

Van Herpen continued, “This ethereal and futurist femininity extends and complements her other looks on the tour that beautifully highlight other facets of feminine empowerment.”

Read More: an Australian community founded on racial looks to the future

Other than Atelier Jolie’s role as a creative incubator and its affiliation with luxury brand Chloé. Angelina Jolie hasn’t provided many specifics about her current project, Atelier Jolie, since she initially announced it this spring.

The Academy Award-winning actor, director, and humanitarian has now opened up about the project for the November issue of Vogue and shared its first looks, including the strapless bodysuit Jolie wears on the digital cover (shot by Annie Leibovitz), which she is rumored to have had specially spray-painted for the shoot.

Angelina Jolie

The striking photo may remind viewers of Alexander McQueen’s iconic runway spray-paint moment (or, more recently, Coperni’s spray on dress with Bella Hadid), but it also pays homage to the location of Atelier Jolie, which used to be the late painter Jean-Michel Basquiat’s house and studio in New York City’s Bowery.

According to Vogue, Jolie is converting the location into a hub for interaction and that will include tailoring and upcycling services as well as a light filled gallery space for artisans, while the café within the studio will collaborate with refugee organizations. With partnerships from London-based milliner Justin Smith, American artist Duke Riley, and South African lacemaker Pierre Fouché, Atelier Jolie will formally debut in November.

According to Jolie, I don’t want to be a well-known fashion designer. I want to construct a home so that others can do that.

A period of change
Jolie’s red carpet looks have always been effortless, from low-slung leather pants to va-va-voom gowns with plunging necklines and thigh high slits. However, she is not a likely candidate for a celebrity with big brand, as A-Listers have launched the nearly meaningless fashion, beauty, or wellness line to varying degrees of success. Two of her kids, Zahara and Pax, who have “heavily involved” with the launch, are joining her in the endeavor.

Read More: Grandmaster of chess Hans Niemann abusing in competition

Firstly, In the glare of a scorching UK heatwave, London Fashion Week began on Friday and ended on Tuesday with torrential downpours and thunderstorms. The excitement for the five-day schedule’s big-name fashion shows, including those from Burberry, J.W. Anderson, Erdem, and Simone Rocha, was evenly divide by the noticeable absence of buzzy brands like Dilara Findikoglu, Halpern, Nensi Dojaka, and S.S. Daley — designers who postponed their shows just weeks before the event.

London Fashion Week

Secondly, The start of the holiday season was mark by what may turn into a new tradition: Anna Wintour’s British equivalent of the Met Gala, which benefited London’s performing arts venues. The agenda received a star-studded boost from Vogue World’s dazzling maroon carpet, which welcomed guests like Kate Winslet, Princess Eugenie, Sienna Miller, Jodie Turner-Smith, and Princess Isabella (who made her pregnancy bump debut in Schiaparelli couture).

Over the course of the week, more well-known figures flooded the London fashion scene. The “Gorillaz” frontman Damon Albarn, gold medal Olympian Mo Farah, Suki Waterhouse, Charli XCX, Ncuti Gatwa, and Alexa Chung were among the posse that invaded Highbury Fields in east London for the Burberry show. Cole Sprouse, Suki Waterhouse, Charli XCX, Rachel Weiss, Jodie Comer, and Kylie Minogue were also spott there.

However, certain contentious designs and promotional decisions propelled London Fashion Week out of the confines of the business and into the broader cultural dialogue. Burberry rebranded the London Underground Station Bond Street to “Burberry Street” last week, purportedly generating mayhem and confusion for the city’s tourists over the weekend. Burberry’s second collection, direct by Daniel Lee, was display on Monday afternoon. Emerging Nigerian designer Mowalola incorporated the Saudi Arabian flag on a tiny skirt in her Spring-Summer 2024 catwalk show, which on Friday night ignited discussion on the proper use of religious symbolism.

To read about every trend that came out of the London shows, scroll down.

Read More: This Starfield Technique Reduces the Anxiety of Ship Design